Can you lock Procreate layers without smearing lineart?
#1
I’ve been trying to get more serious about my home studio setup for the past year, but I keep running into the same wall when it comes to mixing. I record mostly indie rock vocals and acoustic guitar, and despite spending hours tweaking levels, my tracks always sound either too muddy or way too harsh in the high end. It’s frustrating because I know the performances are decent, but the final mix just doesn’t translate well to other speakers.

I started with the basics—treated a corner of my bedroom with some cheap foam panels and hung a heavy blanket over the window to cut down reflections. That helped a little with reverb, but the actual tonal balance remains a mess. I’ve been relying on a pair of KRK Rokit 5s that I picked up used, and while they’re fine for reference, I’m starting to think they’re hyping the lows too much. I also tried using Sonible’s smart EQ on my vocal bus, which seemed to smooth things out, but then the whole mix felt sterile. At this point, I’ve probably sunk about $200 into acoustic treatment and plugins, but I’m not sure if I should be spending more on better monitors or if the real issue is just my room itself. Well, at least I think so—I’ve never actually measured the frequency response in here, so I could be completely wrong about what’s causing the problem.

Money is tight right now because I’m between freelance gigs, so I’m really hoping to avoid dropping another $500 on gear if I can fix this with technique or free tools. I’ve been reading about using reference tracks during mixing, but every time I try to match a song like Bon Iver’s “Holocene,” my low end just falls apart. It’s like my mixes either have no punch or they’re completely boomy, with no in-between. I’m not sure if this matters but I’m using Reaper with stock plugins for now, plus a free EQ called TDR Nova that some guy on Reddit recommended.

Has anyone here managed to get clean, radio-ready mixes out of a small untreated room without spending a fortune? What’s the one thing you wish you’d known earlier that actually made a difference? I’m open to trying weird approaches—like mixing at really low volumes or using only headphones for critical decisions—if that’s what it takes.
Reply
#2
You're not imagining it—the room is the filter. Even with a couple panels, a corner, and your monitors, bass nodes and reflected highs can sour a mix before you even touch a plugin. A measurement mic like a UMIK-1 helped me see a stubborn low-end peak and a treble dip that no EQ could fully fix. If you can borrow or snag one, run a quick sweep; the numbers will tell you where to place treatment and set your monitoring level.

From there, focus on technique over upgrading gear. Mix at lower SPLs, and check in mono to catch phase issues. Add a single, broad band-high-pass on the vocal around 80 Hz to clean mud without removing body, then rely on gentle parallel compression to keep punch while staying natural. Use a clear reference track and keep faith in balance rather than EQ gymnastics. Small, consistent tweaks beat sudden fixes in a chaotic room.
Reply


[-]
Quick Reply
Message
Type your reply to this message here.

Image Verification
Please enter the text contained within the image into the text box below it. This process is used to prevent automated spam bots.
Image Verification
(case insensitive)

Forum Jump: