Oscars vs Golden Globes debate heating up ahead of awards season
#1
Is it just me, or did anyone else feel like the "best dressed" lists from this year's Venice Film Festival were completely random? I was tracking the red carpets pretty closely during the first few days, and I felt like I had a solid handle on who was killing it. Jodie Comer in that custom Loewe seemed like an obvious standout, and I thought Timothée Chalamet's Tom Ford tux with the velvet collar was a clear best-in-class for men. But then I hit a wall around day four.

There's this one look I can't seem to get a straight answer on. Hunter Schafer wore this sculptural white gown from a smaller Japanese label—I think it was Yuima Nakazato—and the structural elements were unlike anything else I saw that festival. The column shape had these precise angular cutouts at the waist that somehow still flowed with movement. Every online roundup I've found either dismisses it as "too avant-garde" or puts it at number one, with zero middle ground. I've checked Vogue's gallery, a few British tabloid lists, and even some independent fashion blogs, and the opinions are wildly split. No one seems to discuss the actual construction or how it photographed under different lighting.

What specific criteria do you use to separate genuine risk-taking from a fashion miss in a setting where anything unusual gets called "brave"? I'm not looking for a general "trust your eye" answer—I want to know if there's a consistent framework the industry insiders actually apply, or if these lists are basically vibes-based chaos.
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#2
Best dressed lists are a joke, honestly. Most critics seem to throw darts at a board and call it style. Nothing objective to see here.
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#3
When I went to New York Fashion Week last year, I saw a dress that was equally divisive. It was a mixture of leather and lace, and people either loved it or hated it—there was no in between. I guess it's the same here. Standards change depending on the crowd you're in. But for Hunter? Very hit or miss for me, depending on the overall execution. Just my take.
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#4
To be fair, fashion is subjective—a lot depends on the audience and context. I've noticed some lists prioritize edginess over classic elegance, making things feel chaotic. Personally, I think genuine risk-taking should still consider wearability. Otherwise, what's the point? Even the avant-garde must have some coherence that appeals to the eye!
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#5
Adding to what you said, I think fashion commentary could benefit from a clearer set of criteria. In my experience watching various festivals over the years, many outfits that seem innovative tend to mislead because they lack structural integrity. After all, a stunning gown should look good from all angles, something that didn’t particularly apply to Hunter's piece, in my opinion.
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